BIG NEWS (and a new show)!

I loved playing a very pregnant Mina Harker in “Dracula: A Feminist Revenge Fantasy” at Actors Theatre of Louisville the past 3 years. Photo: Jon Cherry

You know how life imitates art sometimes?

Well, turns out playing a pregnant Mina Harker the last 3 years was kind of like training for the real thing: I’m pregnant!

I’m due in September, and my partner Eric and I are thrilled and terrified, which seems right. We’re figuring out what parenthood will look like for two artists who care deeply for our careers and independence and were child-free by choice until relatively recently, and we’re grateful for all the advice and support from artist parents in our community.

One thing I’m coming to terms with is preparing to step away from theatre for a little while. I have been so fortunate to have built a career in regional theatre, but that kind of short term relocation will be challenging with a new kid. I have deep hope that this pause is only temporary and that I’ll be able to continue participating in local new play development (my great love!), workshops, and productions while navigating new parent life. And after discovering that audiobook narration feeds my creative soul in a similar way to theatre, I’ve spent the last year or so building a network in that arena. I’m therefore also hopeful that I’ll be able to record books from home while continuing to build my dubbing career once we have our new parent legs under us. 

Until there IS a newborn, I’ve been on a pregnancy journey, and the learning curve has been STEEP! I’ve been consistently surprised at how ill-prepared I was to contend with my changing body, hormones, and emotions, and I won’t lie – it’s been kicking my ass. I wonder daily about how conversations around reproductive rights in this country seem to skip over the 9 months of pregnancy (which challenge every woman differently) and instead focus on what happens after birth (which is itself quite a dangerous situation for many women!). The entire process is truly grueling, and I believe now more than ever that no one should do this unless they’re sure they want to be a parent; no one should be forced to be pregnant. I shall step off my soapbox now. Despite this thought plaguing me daily, it has been wonderful to have a source of joy amidst all the darkness in the news.

Another piece of joy is that I’m in a show!

I arrived in Dayton, Ohio a few days ago to begin rehearsals for Branden Jacobs-Jenkins’ The Comeuppance at Human Race Theatre Company. The play is about a close-knit group of former classmates – who called themselves the “Multi-Ethnic Reject Group” – who reunite to pre-game on the night of their 20th high school reunion. Bonded in their youth as outsiders, they now navigate the complexities of adulthood with humor, heart, and a hint of nostalgia. The Comeuppance focuses on millennials reckoning with the world they will soon inherit and is a toast to the ties that bind us, the past that shapes us, and the future we step into together. I play Kristina, a woman who spent her entire life doing the right thing, the things she is *supposed* to do, only to find herself feeling…not how she thought she would feel when she imagined her perfect life 20 years ago. I think we can all identify with the feeling that – for better and worse – we are not who we imagined we would be when we were kids.

Not only does this play resonate with me deeply, it’s also giving me the union contract weeks I’ll need to maintain health insurance beyond giving birth. (I’ll refrain from getting on another soapbox about how it is criminal that this country does not consider healthcare a right for all – message me and we can rant about it.) Plus, it makes me all verklempt to think of my fetus making their stage debut – I’ll be 6 months pregnant when we open! – and giving me one last theatrical hurrah. If you’re in or near Dayton, please join us! More details about the play, including how to get tickets, is below.

Below are also some fun updates about upcoming audiobooks, where you can currently hear my anime voice, and what’s going on right now with my advocacy work with 1497 and AAPAC (right on time for AAPI Heritage Month)! 

Come See The Comeuppance!

At Human Race Theatre Company
Written by: Branden Jacobs-Jenkins
Directed by: Latrelle Bright
Featuring: Andrew Ian Adams, Darnell Pierre Benjamin*, Erin Eva Butcher*, Rico Romalus Parker*, Annie Pesch*, and me*!
Dates: June 3-15, 2025
Tickets: starting at $10 HERE
Learn more about the cast and creative team HERE
*denotes fellow member of Actors’ Equity Association

Upcoming Audiobooks

Before coming to Ohio, I had the privilege of recording Slow Violence: Confronting Dark Truths in the American Classroom by Ranita Ray. The book is a powerful exposé of the American public education system’s indifference toward marginalized children and the “slow violence” that fashions schools into hostile work and learning environments.
 
When I return, I’ll have the opportunity to record the young adult biography Loudmouth: Emma Goldman vs. America (A Love Story) by Deborah Heiligman.
Both books are available for pre-order on Audible or wherever you listen to audiobooks!

Pokémon Horizons

I’m thrilled to re-join the Pokémon family in season 2 of Pokémon Horizons as the English voice of Geeta! She’s the headmistress of a school where our new heroes journey to learn a new skill: Terastallization. Check out the trailer for season 2 (you might hear a familiar voice), then head to Netflix to watch the show!
 

What’s happening at: 1497

After hosting the third annual 1497 South Asian Lodge at the 2025 Sundance Film Festival, we’ve recently opened applications for this year’s 1497 Features Lab! The Lab consists of a Retreat, Pitch Day, and additional professional development opportunities all intentionally designed to elevate and develop screenplays by writers who will further 1497’s mission to change South Asian representation in the American entertainment market, while providing career support. Maybe that’s you or someone you know?! Read more about the Lab on our website and APPLY NOW exclusively on Coverfly!

What’s happening at: AAPAC

The Asian American Performers Action Coalition is busy, busy, busy collecting data for the current NYC theatre season. But we did recently release the 2021-2022 Visibility Report AND our brand-new Theater Practices Toolkit! I’m particularly proud of the Toolkit – it’s intended as a reference guide for theatrical institutions across the country to create more inclusive environments for AAPI theatre artists. It’s organized by department, and includes anecdotal and statistical information on challenges specifically shared by the AAPI/Asian theatre community, as well as actionable solutions inclusive of their specific needs and concerns. Read more about it in American Theatre and check it out!
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